carol movie analysis

But Mr. Haynes and the screenwriter, Phyllis Nagy, have also done something more radical. "Disney's A Christmas Carol" by Robert Zemeckis (and Charles Dickens, of course) is an exhilarating visual experience and proves for the third time he's one of the few directors who knows what he's doing with 3-D. She is patient with them, as Carol tries to be with Harge, and they are puzzled by her lack of interest. Not that Therese’s situation is all that simple. But Mara gives Therese complexity: watch for the contrast between who she is with Carol and who she is with her merry band of male friends. Therese Belivet (Rooney Mara) spots the beautiful, elegant Carol (Cate Blanchett) perusing the doll displays in a 1950s Manhattan department store. It's dizzying, a perfect evocation of the swan-dive of love. Carol’s feelings, while equally intense, are more elusive, partly because the reader experiences them at second hand, from Therese’s point of view. “Carol” is rated R (Under 17 requires accompanying parent or adult guardian). "The Price of Salt" is her most openly romantic book and it is hard to believe it was written by the same woman who created the sociopath Tom Ripley, and who also once confessed to her journal: "One situation—maybe one alone—could drive me to murder: family life, togetherness." At once ardent and analytical, cerebral and swooning, “Carol” is a study in human magnetism, in the physics and optics of eros. Warmth, generosity, and overall goodwill, overcome Scrooge's bitter apathy as he encounters and learns from his memory, the ability to empathize, and his fear of death. — Noah Orent. It's perhaps a tragedy I had to swallow my precious stoneAt sixteen, watching careless boys and girlsWalking hand in hand down public streets,As indifferent to what people thought of themAs they were to their own sensations... Therese, as in love as that couple on the sidewalk, cannot hold hands with Carol in public, and does not expect to ever be free like that. In Highsmith’s prose, desire is a one-way street. In one scene, Therese sits in the back seat of a taxi, watching a man and a woman walk down the sidewalk holding hands. Always duality. Terror hovers in the air along with yearning, but Mr. Haynes honors Highsmith’s decision to tell a tale of same-sex love stripped of pathology or tragedy. Todd Haynes narrates a sequence from the film. When the film is successful it shows the loneliness of people not allowed to be who they are, although "loneliness" doesn't cover it. Summary: Set in 1950s New York, two women from very different backgrounds find themselves in the throes of love. A Christmas Carol Movie Analysis 517 Words | 3 Pages. In the opening scene — which establishes most of what follows as a flashback — we accompany an anonymous, hat-and-coated fellow into a hotel bar, where he spots the two women (played by Cate Blanchett and Rooney Mara) at a nearby table. But that's Highsmith. And when other people look at Carol and Therese (or through them or past them), what do they see? Another nice guy, Dannie (John Magaro), also has his eye on her. When Carol doesn’t come in to work to wait on him, he runs to her house and demands that she come in to work. Review: ‘Carol’ Explores the Sweet Science of Magnetism, https://www.nytimes.com/2015/11/20/movies/review-carol-explores-the-sweet-science-of-magnetism.html. In an adaptation of Patricia Highsmith's seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in … Although the movie was created as a follow-up to the play, there were many times where the movie was completely different. Anthony Lane reviews “Carol,” an adaption of a Patricia Highsmith novel, starring Cate Blanchett and Rooney Mara, and “Legend,” starring Tom Hardy. religious messages can be found just about everywhere in life. Thank you for listening! Carol’s Journey is the sort of picture that Oscar-craving producers love to make-with a lush photography and film score add a romanticized feel to the countryside and rural village visuals that paint the picture. With UP and A CHRISTMAS CAROL, Disney has released two great soul-stirring masterpieces in one year, movies that should stand the test of time and that every media-wise family will want to see gladly again and again. There is plenty of melodrama, though, and more than a touch of film noir. Carol is richer and more experienced than Therese, and also more weighed down by compromises and responsibilities. It’s hard to tell whether her quiet manner bespeaks timidity or terrifying self-possession. The film conveys the stifling atmosphere of the 1950s but doesn't overly emphasize that aspect of the story. Carol Plot Synopsis. Having recently revisited Todd Haynes‘ Carol, my favorite film of 2015, on Blu-ray, its layers continue to open up, making for one of the richest viewing experiences one can have in recent memory. Like other historical fiction, it measures the distance between then and now. The screenplay by Phyllis Nagy is based on the 1952 romance novel The Price of Salt by Patricia Highsmith (republished as Carol in 1990). A Christmas Carol Movie Analysis. When Harge starts proceedings to get sole custody, Carol whisks Therese away on an impulsive road trip, and out into America they go. She has a sort-of boyfriend (Jake Lacy, so good in "Obvious Child"), and a swirling group of pals (all men), but there is something about her attitude behind that counter that suggests Therese is waiting ... for what she doesn't know. for a scene of sexuality/nudity and brief language. Carol is often about its surfaces, their beauty contrasting with … There are obvious asymmetries to be discovered in the relationship between a penniless young bohemian and a wealthy, full-grown matron, but Ms. Mara refuses to be the ingénue in the arrangement. But "Carol" plays to her strengths. In the final analysis, Christmas Carol is magnificent, captivating, convicting, and redemptive. Take your students through a timeless journey with this digital short film literary analysis of Charles Dickens' A Christmas Carol. Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. A Christmas Carol is a novella by Charles Dickens that was first published in 1843. From left, Cory Michael Smith, Cate Blanchett and Rooney Mara in “Carol,” a Todd Haynes film based on a 1952 Patricia Highsmith novel. Carol and Therese are often shown staring through green-smudged or rain-streaked windows, a visual motif of their outsider status. A Christmas Carol, both the play and the movie, have many similarities with just as many differences. We also know the extent of their intimacy, since we’ve watched it blossom from a chance encounter and a series of cautious conversations into a headlong, heedless affair. Carol and her husband Harge (Kyle Chandler) are separated, and fighting over access to their young daughter. Carol Scene Analysis. Therese is kept on tenterhooks: she's "in" with Carol, then she's "out." Blanchett is a naturally theatrical actress, unafraid of being "dramatic." Carol is a 2015 romantic drama period film directed by Todd Haynes. The meaning of their togetherness is invisible to this guy (he’s an acquaintance of Therese’s) and, for the moment, opaque to us. In the film, Therese is from nowhere, with no family. the grumpy character Ebenezer Scrooge said about Christmas. With A Christmas Carol, Dickens hopes to illustrate how self-serving, insensitive people can be converted into charitable, caring, and socially conscious members of society through the intercession of moralizing quasi-religious lessons. Their first interaction is business-like, but in reality it is a flirtatious scene, pierced with the thrill of danger. Set in the early 1950s, the movie opens with a young man, Jack (Trent Rowland), making his way to the bar at the Ritz Tower Hotel and ordering a few drinks. . The camera — Therese’s camera as well as Mr. Haynes’s — searches out the pain and wisdom behind the Brancusi contours of Ms. Blanchett’s face. Charles Dickens’ A Christmas Carol is perhaps one of the most well-known novels ever written. As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A lush emotional melodrama along the lines of the films of Douglas Sirk, Haynes' patron saint, "Carol" is often about its surfaces, their beauty contrasting with the scary duality of people, relationships. It is one of the most poignant moments in "Carol" because of its telescope out into the universal. By then, we are in on their secret, and accustomed to seeing them, in public places, hidden in plain sight, cloaked in unspoken assumptions that are at once painful and protective. This is not just the story of a shy girl coming out of her shell. (“Shall I compare thee to a summer’s day?”) In painting and sculpture, the eye of the beholder lingers on the face and body of the beheld. Patricia Highsmith’s 1952 novel, “The Price of Salt,” published under the pseudonym Claire Morgan, uses these conventional methods to tell the story of what was at the time a scandalously unconventional love. Carol, in the middle of divorcing her bewildered husband, Harge (Kyle Chandler), has a young daughter and what used to be called a past. The Times critic A. O. Scott reviews “Carol.”, “Shall I compare thee to a summer’s day?”. The surfaces in Carol are so seductive that one understands the ache to belong in that world. But it is much more than that. "Performing" is how Carol gets through her life, so every gesture is a "bit": the way she lights a cigarette, or tosses her hair back, even the way she looks at Therese across the table. The book is told from Therese's perspective, and because of that you are never quite sure about Carol. A nice guy named Richard (Jake Lacy), who calls her Terry, wants to marry her, or at least take her to Europe. In early shorts like “Superstar” and “Dottie Gets Spanked” as well as in mature features like “Safe,” “Far From Heaven” and “Mildred Pierce,” his attention has often gravitated toward women in danger and in distress. Carol is a film about falling in love, but as Patricia White points out in her very smart analysis of the film’s queerness (“A Lesbian ‘Carol’ for Christmas”), in their end-of-the-year awards-race rhetoric, too many critics have acclaimed Carol as a universal romance, when in fact, the film is deeply queer in its filmic and narrative choices. She is vulnerable and hungry, timid and ferocious, predator and prey. Carol is based on The Price of Salt, a 1952 novel by Patricia Highsmith who wrote under a pen name because its lesbian love affair was so shocking at that time. Director Todd Haynes has spent a career exploring repression and conformity in films like "Safe," "I'm Not There," "Far from Heaven," "Mildred Pierce" and now "Carol," based on Highsmith's novel (with adaptation by Phyllis Nagy). And the movie, with its gauzy, grainy images (shot by the incomparable Edward Lachman), ultimately depends on the clarity of Therese’s vision, on her ability to discover who she is and to choose a course of action that expresses that identity. While it only lasts a few minutes, the party scene still manages to stand out as an important sequence in the narrative of Carol. (“Reader, I married him.”). Students of film are schooled in the erotic power of the gaze, and readers of romance fiction know the seductions of the first-person narrative and the free indirect style, which concentrate lust and longing within a single consciousness. Mutual attraction may be central to our notion of love, but it is a curiously rare occurrence in art, which tends to split desire into subject and object. Where the picture could have easily rejected femininity and the ideals of womanhood for a more dramatic transformation, Carol manages to achieve the same emotional and personal evolution whilst simultaneously focusing on themes of oppression of both women and lesbians to fit into societal norms. He notices a long-time acquaintance, Therese Belivet (Rooney Mara), who is there with another woman, Carol … The book features a forbidden love story culminating in an extended "Lolita"-esque travelogue-criminal-getaway-across-America. An aspiring photographer develops an intimate relationship with an older woman in 1950s New York. At first glance, the distraught diva in this picture can only be Carol, who is played with almost metaphysical movie-star blondness by Ms. Blanchett. Movie Analysis = d 21 Calculations (cont.) Carol invites Therese to her house in New Jersey for visits. With sparse dialogue and restrained drama, the film is a symphony of angles and glances, of colors and shadows. Haynes films all of this with his exquisite eye for detail. In bringing this book to the screen in his gorgeous new movie “Carol,” Todd Haynes has, as filmmakers will, changed a few details, characters and plot points. However, the play’s director is a successful TV actor, and the one she blames for her biggest professional disappointment. Carol Connelly's popularity ranking on CharacTour is #4073 out of 5,600+ characters. Arrayed in full-cut coats and accessorized in bright, saturated colors — an early shot lingers over the pulsating orange hues of her fingernails, her scarf and her hat — Carol is postwar glamour incarnate. CAN BE USED WITH ANY VERSION OF A CHRISTMAS CAROLS This is due in part to the adaptation. Carol lights up Therese’s world with her elegance and self-possession, her dazzling and mysterious allure. V 7 = = 9.76 - 0 app Calculating applied force Calculating acceleration ma = av Now that we can solve for work, we substitute the equation into 6 2 a F car ma a i t F k av = app k 4 N [backward] 4 16889 - = 0.46 That story, which begins in Manhattan just before Christmas, is related from the perspective of Therese Belivet, a young theatrical set designer in New York who falls for an older suburban housewife named Carol Aird. In one scene, Carol helps Therese apply perfume, instructing her to spray it only on her pulse points, where the heat and movement of her blood will activate the scent. Poetry traces a vector from lover to beloved. Then Carol, an elegant blonde, appears across the store floor (the camera floats past Carol, and then reverses back quickly: the camera version of a double-take). These may provide context for Carol's behavior but it also lessens the tension and creates confusion, since the majority of "Carol" is told so obviously from Therese's point of view that the camera is literally Therese's eye. Running time: 1 hour 58 minutes. Mara's work is so touching when she shows how intimidated Therese is by Carol, how out-ranked Therese feels by this complex older woman. Set in New York City during the early 1950s, Carol tells the story of a forbidden affair between an aspiring female photographer and an older woman going through a difficult divorce. The Muppet Christmas Carol: Movie Analysis. When Carol does let down her guard, it's breathtaking because her surface is performed so flawlessly. For Mr. Haynes, it’s a two-way mirror. Shame, exposure and ostracism lurk in every stranger’s glance. Later, when the scene is repeated with the camera in a different position, the current of feeling passing between Carol and Therese as they chat over their teacups is so strong that the air around them seems to vibrate. From its original version to its subsequent adaptations, the story has gone through several changes depending on both internal and external circumstances that exist in a particular time period. “Carol,” like virtually every other movie Mr. Haynes has directed, is a period film, almost fetishistically precise in its recreation of the look and sound of the past. When they meet, Therese (Rooney Mara) is working at a toy store, longing for a more meaningful life and Carol is trapped in a loveless marriage to her husband Harge ( Kyle Chandler ). In the film, there are multiple scenes where Therese is not present: Carol with her husband, talking with Abby, meetings with her lawyer. “Carol” might have been content to be an archaeology of the closet, or a pitying backward glance at the mores of a less enlightened time. Therese’s infatuation with Carol is immediate and total. The book, "The Price of Salt," eventually published in 1952 under a pseudonym, has long been a staple of LGBT studies for its depiction of "the closet" and 1950s conformist America. Mr. Haynes is a historian of feelings, of the unspoken and invisible traces of the libido. Sex and cigarettes. The images in “Carol” are cool and elusive, but they also pulsate with life. Guess what that got him: a visit with four ghosts Past, Present, Future, and his dead partner and friend Marley. In all of her books, Highsmith was obsessed by duality, subversion and obsession. Mr. Haynes, a scholar of mid- and late-20th-century cinematic styles and sexual attitudes, is both a connoisseur and a theorist of female suffering. This video explores how editing contributes to storytelling by looking at a scene from Todd Haynes' Carol.Music credit:"Waltz (Tschikovsky Op. The film stars Cate Blanchett, Rooney Mara, Sarah Paulson, Jake Lacy, and Kyle Chandler. A Christmas Carol Film Analysis. samthomas125 Full Analysis March 24, ... a clue that Therese is going to see Carol since we know that the two met because of a toy train at the beginning of the movie. This is a humorous scene in the movie, but it is also evidence of how people with OCD can bring themselves to violate social norms and expectations, sometimes … Summary Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis. The surfaces in "Carol" are so seductive that one understands the ache to belong in that world. It gives emotional and philosophical weight to what might be a perfectly banal question: What do these women see each in each other? The Animated short film is divided into 6 scenes and linked on the slides for a step-by-step, interactive analysis. This is the story of two women (Carol Aird & Therese Belivet) who fall in love in 1950's New York City. A sexual relationship with an old friend named Abby (Sarah Paulson) contributed to the breakup of her marriage, and Carol’s romance with Therese adds further complication at a tricky time in her life. But Carol's gaze shifts throughout the movie, from being first Therese's version of events to later including Carol's narrative. At once ardent and analytical, cerebral and swooning, “Carol” is a study in human magnetism, in the physics and optics of eros. Because of this, she sometimes seems out of place in a realistic context. In "Carol," Haynes turns his eye on the "invisible" lesbian sub-culture of the 1950s closet. These are "acts," moments of assessment to make sure the coast is clear. "Carol" stumbles when it seesaws its point of view. Sometimes it requires a finely tuned ear to fully grasp or understand them; however, this is not the case with The Muppet Christmas Carol. The color palette is a wash of light greens, deep pinks, gleaming gold, with pale tail-finned gas guzzlers roaring down empty roads. To get a greater sense of all that’s at play in this romantic drama, today we have a fantastic new video essay from Digging Deeper that takes a look at how Haynes conveys the themes strictly through a … Therese (Rooney Mara) works behind the toy counter at a department store in New York City. The slides for a scene of sexuality/nudity and brief language and Kyle Chandler stranger ’ s,! For visits compare thee to a summer ’ s director is a successful TV actor and! Predator and prey a novella by Charles Dickens ’ a Christmas Carol is a stronger character seen! 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